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Gamephotography 101

Author: Tim Babcock
Photos by People Who Wish to Remain Nameless

 

There I stood on the shore of a small northern Ontario Lake holding the biggest damned Pike I’d ever landed. No trophy by most standards, but my personal best by a long shot. Its’ toothsome head draped, exhausted over my left forearm while I gripped its’ tail with my left hand, fingers unable to close around it. Moments ago I had handed my battle scarred Pentax K1000 camera to my companion and stood waiting to be immortalized in glory with a "snik" of the shutter. I had unwavering confidence in that camera. It was the very same that has seen me through oceans, rivers, deserts and rainforests without fail.

The beauty of the situation was that none of this was ever supposed to have happened. I was, you see, on what had been billed as an expressly non-fishing vacation, per agreement with my wife, Nikki. At her urging we had met in Montreal where she had been on assignment for her employer. From there we had begun a two-week planes-trains-automobiles trek that saw us through Montreal, Quebec City and ultimately Toronto.

We stayed just outside Toronto in Mississauga with friends whom we’d met in Utah several years earlier while skiing. Their names are Paul and Ruta and both happen to be native Canadians of Lithuanian decent. When not skiing, Paul and I usually talk fishing. Whenever Paul talks fishing, the topic inevitably meanders to tales of monster Pike caught by he and his buddies at a place a couple of hours north of Toronto called Fox Lake. The Lithuanian social group that they belong to own and operate a camp there.

The possibility of visiting this gem of a Lake had always intrigued me, but as promised I was on a non-fishing holiday. The prospect of his sharing with me this magic spot must have been on Paul’s mind as well, because he had begun asking for permission to steal me away for a couple of days to take me there almost as soon as we set foot in their house. I put up the obligatory objections required to ensure that I would not return home to find that my offshore reel collection had been donated to the Salvation Army. After a suitable pause during which my wife’s eyes rolled back like a Thresher Shark working a tuna carcass, I raised my hands in the uniform gesture of helplessness, pleading that it would clearly insult our host if I didn’t accompany him.
Ever the observant husband, I set to reading my wife’s expressions carefully. The flaring of her nostrils and narrowing of her eyes seemed to suggest that she was not in agreement that I should honor our guest’s gracious invitation. The clenched jaw and thin line of drool tracing it’s way slowly down her chin clearly told me otherwise, so I slapped my friend on the back and off we went to his basement to begin packing.

A day later as I stood on the bank of Fox Lake beaming at my catch, I couldn’t help but think of what incredible luck I’d had. Not only had I escaped certain death by successfully locking myself in my host’s guest bathroom and shinnying down a drain spout to jump into his Pathfinder and ultimately to freedom, I’d actually caught a Pike! And what a beauty it was! I’ll never forget the feeling of satisfaction knowing that I was, after all, the man.

Two weeks later, I picked up my pictures on my way home from buying back some offshore fishing reels at the Salvation Army store (I’d gotten one heck of a bargain on a hardly used Tiagra 50WLRS). Hands trembling, I ripped open the package and tore the photos loose, shuffling through images of dimly remembered Canadian historical landmarks and garlic-reeking French restaurants, seeking proof of my phenomenal fishing prowess. What I found set my teeth on edge and caused my stomach to lurch. There in my hands, next to a couple of pictures of smaller fish and an unlucky snapping turtle that had noshed on my bait and gotten himself hooked, was what must have been the picture that I’d taken a thousand times in my mind, the picture that would set my spurious angling cohorts forever in awe of my fishing skills. Although taken in late morning on a mostly sunny day, the photo was so underexposed that the fish was almost invisible except where held in front of the white shirt I had worn. In short, the picture was a useless blur and all my marital machinations had resulted in naught.

My first inclination might have sent US/Canadian relations into cold war status. Upon second thought, however, I was forced to acknowledge that the error was entirely mine (I can admit this type of thing freely within this forum, secure in the knowledge that my wife never bothers to read anything that I write, anyway). In retrospect, Paul had told me he’d never used anything other than autofocus cameras. Although I’d set the picture up before handing off my camera, I had made the mistake of asking him to operate an instrument that he wasn’t comfortable with. In turn, I had paid the price for a lack of good judgement.

On the heels of my profound disappointment, I urge you to keep in mind that no matter how good your camera equipment is, the experience and skill of the person behind the lens is often the limiting factor. Those of you who take a measure of pride in your photodocumentation efforts can back me up on this by making a quick inspection of your outdoor sporting pictures. You’ll probably notice that your collection includes more than a few nice shots of others in pose with fish and game interspersed among primarily marginal to poor shots of you and yours.

Note the contrast in appearance between the two anglers. Mike Burneson [right] seen nicely presenting a good Chinook. Kevin Krause [left], fish bleeding and turned oblique to the camera, has placed his hand through the front gill-plate of his slmon partially obscuring the fish and creating a less natural presentation. The photograph also has some framing and shadowing problems, to boot.

For this reason, I have adopted a policy of keeping a simple disposable camera on hand whenever I take to sea or field. You never have to worry about the comfort level of the person behind it. You will also worry less about damage from impact or water, as they are compact, light and even come in waterproof models. These inexpensive cameras now sport many features. Some even offer a choice of panoramic or standard view pictures in the same unit.

I’m no great photographer. Those that know my skills will tell you I’ve got my hands full telling an F-stop from a backstop. What I do have is a not inconsiderable base of game photographic knowledge gained both from years of mangling my own efforts, and from looking over hundreds of your photos submitted for publication in this newsletter. My lack of technical camera skills aside, allow me to impart a few quick tips that will help ensure that the quality of your next trophy photo doesn’t leave you muttering in despair.

Keep the above tips in mind and not only will you find your game pictures much more satisfying, but my job as editor of this newsletter will be that much easier. I penned this article in the hopes that I might break the seemingly endless cycle of game photo disappointment. If I can stop just one bad picture from being taken, it will all have been worth it!

Quick Tips for Great (or at least better) Photos

Line Up the Shot: Look at the area available for the picture. Have someone stand-in where you would like to place it and look at them thorough the lens. Put the sun at your back and make sure that the area between the camera lens and the subject is free from obstacles before you shoot or pass the camera off to someone else. It may take a couple of minutes to do this, but your small time investment will inevitably pay off in the finished outcome.

Choose the Backdrop: Remember that what is behind the subject will likely become part of your picture. Assume for example that you've caught a trophy small-mouth bass near the outfall of a nuclear power plant and your friend is about to get a picture of you and the fish before releasing it. While it may seem a "no-brainer" to frame the shot with the power plant behind the photographer, remember that your buddy is probably thinking less about how your photo will look on the wall of your office than he is about getting his line back in the water to catch a bigger fish than yours.

Present Your Game: Examine it and clean off visible blood. A bloody shot doesn't display well. If it is a fish, hold it up in front of you. Always stand behind or beside the game. Never stand in front as it diminishes the size of the game in relation to the person in the picture. Also, make sure that the best side of the game faces squarely toward the camera, things look smaller from oblique angles.

Present Your Sportsman: Ditto on the blood and check for general appearance, as well. I'm not talking fashion choices, here. Just take a look at who will be in the shot (yourself, if included) and make sure that they remotely resemble themselves. I'll never forget my shock over pictures taken by another friend after a whitetail hunt in South Dakota a few years back. Conditions were poor, but I'd managed to take a small 4x4 buck and was glad for it. I'd inadvertently removed my stocking cap prior to the pictures revealing a serious case of "hat-head", and act that had gone unnoticed by my partner. The pictures were shockingly accurate and thoroughly enjoyed by my wife.

Take Multiple Shots and Angles: Shoot a couple of shots from each of several slightly different angles. Film is inexpensive, and you'll appreciate the opportunity to choose your best shots after the trip. Quadruple your efforts if a true trophy is involved.

 

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